LAST PROJECTS

 

 

October 2007

ABOUT USARTISTSPROJECTSNEWScontactsMAIN

 

ONE STOP

 

 

Charlie Fox, Helena Bryant, Mark McGowan, David Collins, Rachael House, Jo David

PAVILION

This project announced “six artists bound from London, 10 days, one Caucasian Capital, a large tent; all to create a UK Pavilion (of sorts).”
What might have appeared as an ostensibly nationalistic outpost within the heart of the Art Caucasus 2007 was in fact an entirely fragile and shambolic encampment. Some bunting, a banner, some hastily arranged signposts, perched within Pushkin Square – itself an annex of the grandly renamed Freedom Square (formerly Lenin Square) with its brushed up history and newly appointed street furniture .
A collection of artists – Helena Bryant, David Collins, Jo David, Charlie Fox, Rachael House and Mark McGowan displaying a range of artistic practices – from the gently enticing to the intimate, from the playful to the provocative ; Coalescing around the deceptively simple gesture of a ‘Free Tea Stop in Freedom Square’ - Tea making for the inhabitants of Tbilisi, the workers, the itinerants, and passersby, a cross-section of the population of a new European Democracy. The Caucasus, and particularly Georgia famed for its hospitality and cosmopolitanism was being subjected to a reverse exchange. “International” Artists airlifted to central Tbilisi – welcome please – we bring not only gifts of ‘English Tea’ but parcels of cultural wisdom and sophistication.

But this reversed exchange is turned inside out in a web of provisional, chance and prearranged meetings: intimate and vulnerable, genuine and faked, disguised and unmasked, everyday and extraordinary. Not only is the exchange an attempt at dialogue across these forceful boundaries, it is a dance made from the millions of permutations allowed within human interaction. A chance to break the boundaries and transform the space of dialogue; fragments, a drawing, a phrase, a word, that meeting, collide and resonates. Nothing secure here, but the fact that this space opened out might expand and keep expanding in a net of associations and connections.

 

Free tea on the Freedom Square


But what can a bunch of “English” artists give the people of Tbilisi? Was it how to read, to consume, to engage in, even to savour this ‘new art’. This project, if it achieved anything, was to puncture the false boundaries between artist and audience, sometimes quietly, other times forcibly. Unashamed of its simple gaucheness in a mischievous pleasure in blurring categories; asking whose culture is being displayed, how it might appear and perform, or simply for whom this cultural exchange was produced?

Counterproductions 2007

Publicity for project – see www.counterproductions.co.uk projects.
The square recently renamed and joined toward the airport by George Bush Avenue.
See these links for more information on artists work
www.peckhampet-tastic.com , www.counterproductions.co.uk, www.helenabryant.co.uk, www.markmcgowan.org, www.spacestationsixtyfive.com


  Laughing bear / Charlie Fox
 
           

 

   
  Swiping Tourist / David Collins    
       

   
  Rachael House        
 

The International Language of Dog by Rachael House, part of Pavilion, hosted by TRAM for One Stop, Art Caucasus, October 2007, Freedom Square, Tbilisi, Georgia

‘This is unusual company for you I think, a little girl, a refugee and an old woman.’

These words were said to us about the people saying an emotional goodbye after we had packed up in Freedom Square at the end of our last Saturday.

Pavilion involved six British artists, working together and independently. Together we made our base in Freedom Square with our banner, bunting and free English tea and biscuits for visitors.

The International Language of Dog started as a project to twin British dogs with Georgian dogs, trading my drawings for photographs of Georgian dogs, which I would later draw for British dog owners. Over the nine days in Freedom Square it became a looser exchange, usually involving trading of drawings, much earnest conversation, pointing in phrase books, misunderstandings, laughter, tea and other offerings.

What remained central to the work was dogs as a conduit for communication and emotion, the use of public space and questioning what is allowed to happen there, trusting the public spirit and making work where it may be enjoyed by those who are not usually contemporary art audiences. The people I made exchanges with became my collaborators, shaping the project with their responses to it.

Rachael House, October 2007
rachaelhouse@btinternet.com
www.peckhampet-tastic.com

Rachael House would like to thank the artists who took part in Pavilion, in particular Charlie Fox, our hosts TRAM, Ana, Lado, Keti and Nana and especially the users of Freedom Square for making us so welcome.

   
 
 
Web www.tram.ge

         
   

  Memory buss / Jo David