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Norene
Leddy / New York
The
Aphrodite Project PLATFORMS
Platforms, the
latest series of work in the ongoing Aphrodite Project, is a social
sculpture: an interactive, wearable device that is a conceptual
homage to the cult of the Greek goddess of love, Aphrodite, a practical
object for contemporary sex workers, and a vehicle for public dialogue.
An integrated system of shoes and online services, Platforms draws
on innovations made by venerated courtesans from antiquity to improve
conditions of 21st century women who, despite advances in culture
and technology, are now perceived to be outlaws by trade and are
vulnerable to surveillance and violence. Platforms empowers people
by providing tools they need to stay safe.
For
Project One Stop at Art Caucasus 2007 in Tbilisi, Georgia, Norene
Leddy created In Her Shoes | In Her Head: a performance, workshop,
and urban intervention. As in all her Aphrodite Project works, Leddy
collaborated with local communities to address their specific needs,
wants, and desires. In her discussions with Georgian NGOs, researchers,
and social workers before and during her stay in Tbilisi, it became
clear that the fear of being ‘outed’ or exposed by the
media was of primary concern for everyone involved. Local community
members requested a ‘private’ public discussion in a
safe space sensitive to the needs of a vulnerable population. To
address this, Leddy split In Her Shoes | In Her Head into two parts:
one private session for NGO workers, their clients, and allies;
and one for the general public.
The
private performance was held at Inclusive Foundation, an NGO that
works with the lesbian, gay, bisexual and transgender population
in Tbilisi. Tanadgoma, an NGO that works primarily with sex workers,
was also invited to participate.
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Using
Leddy’s Platforms artwork as a starting point, the audience
engaged in a frank and open exchange about sex work, sex workers,
the role of contemporary artists in society, the significant differences
between sex work in the US and Georgia, police protection and personal
safety. The audience tried on Leddy’s Platforms shoes, playfully
modeling them for each other, as well as participating in a workshop
in which they built personal audible alarm systems to use when physically
threatened. The same alarm is embedded in the Platforms shoes, and
can also be used in handbags, jackets and other clothing. This DIY
alarm system uses inexpensive components and is easy to assemble
(no soldering or special skills required).
The second part
of the project was an open public intervention in an underpass on
Rustaveli Avenue, below Kashveti Church. An empty glass storefront
was transformed into a modified shoe store that combined the image
of commerce with the reality of political action. The Platforms
shoes and The Aphrodite Project logo were displayed prominently
and the “shop” was open during regular business hours.
Leaflets and stickers explaining the project in Georgian and English
were handed out, and passersby were invited in to try on the shoes.
Four pairs of the sandals with working video screens and audible
alarm systems were available, including a men's size 10 for the
transsexual population. During this interaction, Leddy explained
the functionality and concepts behind the shoes, and “customers”
were invited to exchange their views on sex work.
Prostitution's
quasi-legal status in Georgia has frustrated women's rights groups
who want it abolished, sex workers' rights groups who seek regulation
and protection, and the general public whose views are often ambivalent.
In Her Shoes | In Her Head offered an opportunity for public debate
and expression outside of the typical political arena.
For additional
project information, please visit the Platforms websites: |