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Born in 1977, 6,
07
1995-2002 Tbilisi state Academy of Fine Arts /Painting faculty/
2002 – till now days Tbilisi state Academy of Fine Arts
/ Painting faculty ,post graduate/
Exhibitions, workshops, projects :
- 2007
- Very Temporary Contemporary Museum, Gete Institute
- 2006
- Caucasus Biennale Declaration, INSIDE-OUTSIDE
- 2005 - Art Caucasus
2005, group TRAM, project soc. space, "Gans for future generation"
- 2005 -"Mziuri
Festival", " New military form", " Test",
Tbilisi
- 2005 - " Apotheke
project"/Art Medicine/ Stuttgart,Germany
- 2005- Workshop "Exposition",
by TRAM Art College Of Iakob Nikoladze,Tbilisi sffgdfggfhj
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- 2005-TRAM presentation,
N Gallery,Tbilisi(video,instalation)
- 2004- "Tbilisoba"
Sity day, /instalation, object, video /-
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- 2004 –“ART CAUCASUS”,
“Tram” Presentation,Tbilisi, Georgia (Instalation, Video, Painting,
Photo, Jewelry ) --
- 2003 - "Foreigner",
"Felix Meritis", Amsterdam (object )
- 2003- International
Art Project "Foreigner", Tbilisi "Savane-Winery"
#1, Organized by"Amsterdam founds voor de Kunst", "De
Phenix Foundation", "the Netherlands foundation for
VisualArts, Design and Architecture" (object)
- 2002 – Group
exhibition, Gallery “Karvasla”
- 2001 – Old
Gallery, Personal Exhibition
- 2000- Art Forum,
Group exhibition, Art Academy
- 1999 - Art Forum,
Group exhibition, Art Academy
- 1999- Art Forum,
Art action in Public Space, Tbilisi
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One of the
ways to store products is to can them . We have the ways to store and
use cultural products too .Soil cans , with some labels attached to them
, aim to gather the culturalproduct , created for centuries , representing
the archeological layers ( strata )of culture . They are to show , how
culture could store ( can ) its own live experiences .Canning is a logical
end of some creative events and other important facts . The object, “Cans
for future generations “ is a construction having a shape of a pyramid
.The cans from archaic
period up to now days are chronologically placed on the shelves of the
pyramid . On the top shelf we have a can with a portrait of the authors
of the object on its label . It represents an idea of voluntary self-canning
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Lado Darakhvelidze
