My work is an installation in shape of a tunnel representing a virtual mind asking questions and sometimes answering them. The mind has its own conscience territory and feeling receptor. It also has its own memory and individual vision of surrounding world and people. The work is called “There/Here” and it has one entrance and one exit next to each other, so you can get in and out easily. It is similar to fairy- tales where you can tour your own mind or somebody else’s – a labyrinth of a kind where you have to find an answer and get out but closer to reality because you can get out without any answers and just go through it.
B.
Pasternak
Love is a bloody cloud, which dims at times our serene blood
Rub my hands, asks happiness
That’s my guilty we are lighted so foolish and clumsy
How long are living and soaking shame old and young
Like others she lives and believes that the main mission of her youth
is just deferred, at the proper time it will not pass her .This faith
explains all her demerits of temper /character / . this explains her self-confidence,
allays only by her complete ignorance of her such loss
You
touch me by your speckles
The only one, your own territory of conscience
Her reflection have been shaking by fever in vodka
Friends are delayed-action mine
Modern art is unrealized needs in sex
Sex is a free element
Discussion is triviality /ignorance/
Shadow got tired, she wants to get asleep
My world grew up from nothing and became overgrown with trash. A warm
breath trough the holes in the shall comes evenings, and it becomes cordial
and comfortable.
A space around fair was swelled by surplus people, but his being make
them limpid.
The right hand was firmly squeezed a key of his belt, they locked it.
Compete /jealous/ with, but know - his mine. Finally they are off.
Life manual on TV, respectable mister presenter. Ah! Decedent grandma
curled up, catching chuckles. Why he is such a gray, might open?
SigniT gareT
All
cities have their own ways of development. Now Tbilisi, being a mix of
Asia and Europe undergoes rapid changes. I am interesting in how the multicultural
city can develop. The installation ‘Inside- Outside’ is an inside space
of a gallery drawn on its outside, while gallery walls are covered by
the images of city sides. In a space inside the gallery and longer then
usually the audience can review new buildings, facades statues, etc.
Are those processes of development contemporary?
When a house interior stops to work and becomes uncomfortable or unpractical,
a person changes it he moves things.
Can we change a space of the city
