Semodgoma 2006

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MXATVREBIAMBEBIAXALIHOMEcontacts
   
   proeqtisaTvis Terror? Intersection for the Arts    

       
 

446 Valencia Street
San Francisco CA 94103 United States

   

terror@theintersection.org

 

   
         

 

1.Cven vaSinebT bavSvSvebs boroti gmirebiT, jadoqrebiT, mgeliT da sxva, magram amavdroulad viyenebT maT gamosaxulebebebs saTamaSoebze Tu sxva sabavSo nivTebze. Sedegad maT aRar eSiniaT maTi. droa SevcvaloT es gmirebi ufro axali gmirebiT. miT ufro rom bavSvebi aranaklebad icnoben maT vidre TavianT sabavSvo gmirebs: rogoricaa spaidermeni, supermeni da sxva. swored amitomac ar vawerT maT saxelebs.

< aq warmodgenilia bavSvis boTli e.w. sabarSo seriidan, zed gamosaxuli erT erTi teroristis imijiT

 

2. Cveni xedvis farTobi damokidebulia sinaTleze, rac metia, miT ufro farTea. ase ufro ganaTebuli adgili ufro sasaiamovnoa, meti imformaciis mqonea, emociuri datvirTva damokidebulia ferTa raodenobaze. ase mecnieruli TvalsazrisiT TeTri feris xedvis kuTxe ufro viwroa, mag.: 180X90%, wiTeli - 50X40%, mwvane - 55X45%, xolo Savi feri ki 360X360%

 

   
ani riaboSenko ANaMALIA  
               
 

lado daraxveliZe

 
 
Web www.tram.ge

 

 

 

proeqtisaTvis MULTIPLICITIES

CO City /Colorful City/ interactive art project

 

For the developing countries like Georgia is now, the Europe is a an exemplary , we are trying to organize our life and transform our cities on European module, unfortunately in some cases blind imitation doesn’t works or works in a bad ways. Moreover we get this examples in a distorted way true the TV and other medias. We have to consider our national and mentally specific, and of course soviet past. Many people doesn’t like it and do all the best to throe it away, but it’ our past and we cant just rub it off. Especially this past attend many interesting and beautiful objects , like in architecture and many other spheres. Geographical aspect also has it influence on our country developing.
Urban life has its own rules, and all the citizens follows these regulations, so it has too be different classis, urban slums & fashion districts .Doesn’t matter is it NY, London or Tbilisi, any town has it specifics, poor and reach life , that ‘s why they are interesting to us. More than huff of the city population choose their own life way, and only in some cases there are some external reasons.
Global changes, world politic all involve new trends and needs as in whole country as in individuals lives.
The most visible this changes are in the cities, especially if you live in one of them.
Human are mutually contradictory itself , so it’s understandable why we have a such different objects in same places. Like last time on the threshold off the municipal elections, all houses are painting in amazing colors, old houses of 18-19 centuries and soviet block districts are full blossoming like field flowers. It look like kids colored magazine. But instead of kids are our “ Big Men”. But is it really bad ? Who can solve it? Another “Big Men”? or maybe people, but how do we know what people like? Ask them,
That’s why we decided to print a “painting magazine of your city”. With images of your own city, you can colored them as you wish. It will be also virtual version, like simple computer game: black white map of your city , you can choose some famous buildings and color them, or build your own on some empty spaces uses the given architectural
parts and objects. This way any citizen can feel himself as a piece of urban reality. / still if it’s only virtual reality /

 

   

marTa TabukaSvili,

ani riaboSenko ANaMALIA

 

 

MULTIPLICITIES – PROJECT PRESENTATION

Introduction to who we are
We are transitpassengers, an organisation that works with culture as a weapon and a provocateur for discussion or quiet contemplation about the world we share.
Transitpassengers has its background in three European countries, France, Sweden and Switzerland and has recently travelled to meet contemporary artists in their countries, Pakistan, Kyrgyzstan, Uzbekistan, Iran, Georgia and Turkey.

Transitpassengers plans together with artists from Lahore, Bishkek, Tashkent, Teheran, Tbilisi and Istanbul to, with images, sounds and feelings examine our common urban life. Together we want to invite a wide public to enter into the urban lives of people from these six countries and their cities. We will enter these cities through the work of contemporary artists from these cities as well as works from transitpassengers.


The ideas behind the project:
Urban living and representation
How do we orient ourselves in this world? Through words, sounds and images we explain, and try to communicate the world we live in and in this process we also create reality. Words and images have the power to unite but also to divide. Information technology and forces within the process of globalisation also have this power. We can see both globally and locally how identities are more than often created on projected differences. We use words and images to create these differences. However, imperialism and globalisation have meant that our existence and experience will never again be dependent on just one society, one culture or Nation; actually it has never been so throughout history. Every place is knotted together in a net that encompasses all other places. Every human and every culture is a crossover of the world’s traffic -maybe then we need to understand our cultural identity through other metaphors. What words would you like to use to describe the urban experience? Nostalgia, rich, poor, boredom, excitement, love, hate, communication, conflict, home, homelessness, isolation, hectic, confusion, loneliness, space, connexions, encounters, crossings, meeting points, streets, parks…what do these words really mean? Do they mean different things in different contexts? Maybe they do not.

Together with artists from Lahore, Bishkek, Tashkent, Tehran, Tbilisi and Istanbul we have tried to wander through the urban jungle and translate these words through places and people.


CONTACTS
Aurélie de Lalande

aurelie_delalande@yahoo.co.uk

Emma Corkhill
e_corkhill@hotmail.com